## Symmetric polymorphic lenses (maybe)

Whereas ordinary directed lenses go from a source to a view, symmetric lenses relate two different views of an internal source. I’ve been thinking about how to smoosh together symmetric lenses with polymorphic lenses, which are the sort used in functional programming. My actual goal is to invent “symmetric open games” (without relying on non-well-founded recursion like I did in this paper). But with the right definition, I think symmetric polymorphic lenses could be a useful tool to programmers as well.

Normally when I’m playing with an idea like this I mock it up in Haskell and play around with it to check it works, before committing to too much hard work on the proofs. But this would be very difficult (and maybe impossible) to write in Haskell, so the idea of this post is to give enough detail that some folks could try it in Agda or Idris, and give me feedback on whether it feels like something useful. (In the meantime, I will try an extremely fast and loose Haskell version by pretending that pullbacks and pushouts are products and coproducts, and see what happens.)

## Are open games useful for my problem?

Recently open games have reached a state where they realistically might start becoming useful to some people (see this demo). I want to write down the current state of the art, what I believe is possible and what I believe are the limitations of compositional methods. This guides which sorts of situations I believe open games will be applicable to.

First I will say what open games can already do (at least in theory). Then I will say what is awkward and what I think is probably possible with future work, and finally when I think you shouldn’t use open games. This post is written for a hypothetical reader who wants to use game theory as a modelling paradigm.

## Folklore: Monoidal kleisli categories

I’ve been threatening a few times recently to blog about bits of mathematical folklore that I use, i.e. important things that aren’t easy to find in the literature. I’m going to start with an easy one that won’t take me long to write.

Theorem: Given a commutative strong monad on a symmetric monoidal category, the kleisli category is symmetric monoidal in a canonical way.

## Lenses for philosophers

Lens tutorials are the new monad tutorials, I hear. (This is neat, since monads and lenses were both discovered in the year 1958.) The thing is, after independently rediscovering lenses and working on them for a year and a half before Jeremy Gibbons made the connection, I have a very different perspective on them. This post is based on a talk I gave at the 7th international workshop on bidirectional transformations in Nice. My aim is to move fast and break things, where the things in question are your preconceptions about what lenses are and what they can be used for. Much of this will be a history of lenses, which includes at least 9 independent rediscoveries.

## The pre-history of open games

I feel that having Compositional game theory accepted for publication marks the end of the first chapter for me, and marks open games as a proper research topic. I want to record how open games came to be, told through the story of this paper, which took almost 3 years from writing to acceptance. (That’s roughly the same amount of time as the Higher Order Decisions/Games duo, although they definitely felt longer. Their story can wait for another blog post.)

## The rising sea in applied mathematics

The rising sea refers to a particular approach to mathematical problem-solving, in which many small, apparently trivial steps are taken until the solution of a problem becomes itself trivial. It was poetically introduced by Alexander Grothendieck in his beautiful, auto-psychoanalytic Récoltes et Samailles, in which he imagines the mathematical problem as a landmass being swallowed as “the sea advances insensibly in silence”. This makes me think of Xerxes, all-powerful over humans, helpless against the power of the sea. Grothendieck views the mathematician and the problem as complimenting each other, the mathematician using the problem’s natural structure in its solution, rather than striking it with a foreign, invasive method.

## Slides on Breaking the Rules

I gave a talk last year at Duskofest in Oxford (a workshop celebrating the nth birthday of Dusko Pavlovic, where n is sufficiently large), based on my blog post Breaking the rules.

I have finally remembred to upload my slides here.

This is the only time I can remember enjoying creating slides.

## Towards compositional game theory

I wrote this not just as a thesis, but (against all advice) as a resource for other people to learn about open games. In spite of some problems, it will probably remain my preferred reference on open games for years to come. It contains plenty of its own introduction, so I won’t introduce it again here.

## Compositional game theory reading list

The best starting point, for a reader who knows a little about both game theory and category theory, is the paper Compositional game theory.

Additional background and motivation is provided by the blog post A first look at open games and the preprint Compositionality and string diagrams for game theory.

By far the most complete exposition is my PhD thesis Towards compositional game theory. It is fully self-contained for readers who know category theory but not game theory.

If you don’t have background in category theory, my current recommendation is Seven sketches in compositionality by Brendan Fong and David Spivak.

## A first look at open games

Even I think open games are hard to understand, and I invented them.

###### (Perhaps this is just me though. Grothendieck wrote “The very idea of scheme is of infantile simplicity — so simple, so humble, that no one before me thought of stooping so low.” [Grothendieck, Récoltes et Samailles, translated by Colin McLarty] So simple, in fact, that it took me years before I understood the definition of a scheme.)

Here I will give the best starting-out intuition I can give for open games, based on a few years of giving research talks consisting of three-quarters introduction. I’ll make no attempt to explain how they work — for that, section 2 of my thesis is still the best thing.